导演吴炜伦接受采访时称，故事背景选择在2012年是因为那时那个行业还在运作，但已经开始有彷徨，“这种感觉同现在的香港有一点点相似。”
This was a very good question. How do you know, generally, what the terms are of a conversation with a stranger? I realised that there is a sort of unwritten code you learn as you get older, which enables you to assess whether a conversation is a good idea or not. I thought about the woman who had approached me earlier. How did she know it was OK to talk to me? In the end, I replied to my son: “You don’t always know if it’s OK. Sometimes you have to take the risk and find out.”
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